It's one thing to take a Canon EOS-1D X or a Nikon D4 out on a snowboarinding shoot and pop off 10 frames a second. It's a completely different thing to take a film Hasselblad with you and wait for that one frame that sings. That's been Daniel Blom's approach, and over the long run it's paid off.
via Wired Top Stories http://feeds.wired.com/~r/wired/index/~3/9EUEq-uoHC0/
via Wired Top Stories http://feeds.wired.com/~r/wired/index/~3/9EUEq-uoHC0/
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